My often overlooked House music moniker Donut Boy, (born on tour with The Sisters of Mercy when I… yup you guessed it: ate all the donuts on the tour bus, late at night before breakfast) was featured as a podcast … Continue reading
This is an article I wrote for EQ Magazine in the late 1990′s about the hardware I was using in my live performance at the time; mostly phrase samplers and small battery operated devices in the name of portability. Some … Continue reading
I was featured in Keyboards Magazine during the mid 1990′s courtesy of Dr. Walker, a member of the innovative electronic duo Air Liquide from Germany. He is the one who taught me to program the famous Roland TB-303. Anyone who … Continue reading
DJ Lovegrove was able to ascertain my desire to rise beyond genre. I deeply appreciate his insight. What’s this then, a drum and bass album that isn’t some lame-ass attempt from a DJ trying to up his booking fee by … Continue reading
I remember this performance fondly. Indeed there were not many people in the crowd, but perhaps more important that how many people bear witness is how deeply you effect them as an Artist. Mission accomplished in the spirit of One … Continue reading
A review of my debut tube release: Alive. As part of the Liquid Sky family and an American pioneer for Drum and Bass, I was received with critical acclaim and compared to the likes of Aphex Twin and Squarepusher. An … Continue reading
A wonderful review of one of my first singles for Liquid Sky Music: Ziehen. My earliest lesson in the German language was taken from the words on doors of retail establishments. “Druecken” and “ziehen” mean “to push” and ” to … Continue reading
Here is a review of the first HearNow 12″ released on Harvest/EMI. Melody Maker November 1, 1997 HearNow – Ordinary People (Harvest) Wobbly speak and spell techtronics from Brooklyn Dodger, Frank Heiss. Madder than a WWF wombat tag team in … Continue reading
Here is a pleasant review of the sophomore tube release: Steak, which I originally ‘desktop-published’ in the local Boston electronic music scene using a CD-R burner, printer and way too many ink cartridges, at the dawn of the new Millennium. … Continue reading
Here is a recent article about my return to Boston, the place of my birth and true home. Glide Magazine – Frank Heiss Comes Full Circle